Shortly after the new year the Sala Bologna book finally rolled off the presses and into bookstores in Italy. Check out the publisher's website to buy a copy for yourself and make me famous!
Here is a scan of the best part of the book, my chapter (of course):
Here is a scan of the best part of the book, my chapter (of course):
It's so pretty!
In conjunction with the publication was the opening of the new Museo della Storia di Bologna, or the Museum of Bologna's History. As a contributing author of the book I was invited to the VIP opening on January 27th, for which I was incredibly excited as I imagined it would obviously be an event complete with a red carpet and A-list celebrities.
In my head the opening would look something like this, the annual Costume Institute Gala at the MET in New York
It's without question that I would have been the best-dressed there, and everyone would want a photo of me.
No idea who this is, but she'll suffice as a model for me
Of course, in reality I knew the event would be *a bit* more low key, since the opening of a historical museum in Bologna isn't exactly something to garner the attention of the rich and famous. But regardless, I was excited to be a part of it, to catch up with the scholars I had worked with on the book, and to meet new people. Not to mention to visit a never-before-seen museum!
The actual museum, in the Palazzo Pepoli
But because this is Italy, and this country decides to hold transportation strikes every-other-week (without any results I might add, but that is a post for another time), I was unable to get up to Bologna.
An all-to-common sight in these parts :(
Alas, I will have to make a trip up in the future to see the museum.
***
The catalyst for the book was the high-resolution digital scanning of the Sala Bologna and the creation of a facsimile of the south wall to be displayed in the new museum. Factum Arte, a company based out of Madrid, was hired to photograph the entire room (producing new and incredibly detailed images for the book), as well as make a 3d scan of the south wall. Factum Arte has previously made similar scans and reproductions for other works of art, including Veronese's Wedding at Cana, an enormous painting in the Louvre, as well as various tombs in Egypt's Valley of the Kings.
Francesco Ceccarelli, of the University of Bologna, and one of the co-editors of the book, wrote a brief press release about the project (and I'm mentioned in it!!):
SALA BOLOGNA
The facsimile of the perspectival map of the city of Bologna painted in fresco at the Sala Bologna in the Vatican’s Apostolic Palace.
The Museum of the History of Bologna commissioned Factum Arte (the world- renowned, Madrid-based studio led by Adam Lowe, known for its experiments with digital technology in the field of art conservation and the creator of the 2007 facsimile of Veronese’s Wedding Feast at Cana at the refectory of San Giorgio Maggiore in Venice) to produce a facsimile of the monumental perspectival map of the city of Bologna frescoed at the Sala Bologna in the Vatican’s Apostolic Palace. The facsimile, installed in the entrance area of the new museum’s headquarters in the Palazzo Pepoli Vecchio, will allow visitors to admire an extraordinary painting that is otherwise unavailable to the general public. The Sala Bologna, originally a papal dining room with an open loggia overlooking the city of Rome, is not open to visitors because of its location in close proximity to the Pontiff’s private apartments and to the Vatican’s Secretary of State.
This vast room was constructed on the occasion of the 1575 Jubilee for the Bolognese pope Gregory XIII Boncompagni, who engaged a team of painters lead by Lorenzo Sabatini to create an ambitious geo-iconographical and cosmological fresco cycle. The Sala Bologna precedes by five years the better-known Gallery of Maps in the Vatican. Through it, the Bolognese pope celebrated his native city, glorifying it together with the ancient università, the center of new science in the age of the Counter Reformation.
The interior of the Sala Bologna contains magnificent terrestrial and celestial maps. The monumental map of the city of Bologna depicted on the south wall stands out among them, recognized as the largest city “portrait” painted during the Renaissance. This gigantic perspectival map shows Bologna’s urban fabric and individual buildings in minute detail, providing a faithful image of the historic city that greatly corresponds to the contemporary one.
The facsimile of the perspectival map of the city of Bologna painted in fresco at the Sala Bologna in the Vatican’s Apostolic Palace.
The Museum of the History of Bologna commissioned Factum Arte (the world- renowned, Madrid-based studio led by Adam Lowe, known for its experiments with digital technology in the field of art conservation and the creator of the 2007 facsimile of Veronese’s Wedding Feast at Cana at the refectory of San Giorgio Maggiore in Venice) to produce a facsimile of the monumental perspectival map of the city of Bologna frescoed at the Sala Bologna in the Vatican’s Apostolic Palace. The facsimile, installed in the entrance area of the new museum’s headquarters in the Palazzo Pepoli Vecchio, will allow visitors to admire an extraordinary painting that is otherwise unavailable to the general public. The Sala Bologna, originally a papal dining room with an open loggia overlooking the city of Rome, is not open to visitors because of its location in close proximity to the Pontiff’s private apartments and to the Vatican’s Secretary of State.
This vast room was constructed on the occasion of the 1575 Jubilee for the Bolognese pope Gregory XIII Boncompagni, who engaged a team of painters lead by Lorenzo Sabatini to create an ambitious geo-iconographical and cosmological fresco cycle. The Sala Bologna precedes by five years the better-known Gallery of Maps in the Vatican. Through it, the Bolognese pope celebrated his native city, glorifying it together with the ancient università, the center of new science in the age of the Counter Reformation.
The interior of the Sala Bologna contains magnificent terrestrial and celestial maps. The monumental map of the city of Bologna depicted on the south wall stands out among them, recognized as the largest city “portrait” painted during the Renaissance. This gigantic perspectival map shows Bologna’s urban fabric and individual buildings in minute detail, providing a faithful image of the historic city that greatly corresponds to the contemporary one.
The facsimile was produced by Factum Arte in 2011 as part of a broader research initiative coordinated by Prof. Francesco Ceccarelli of the University of Bologna. The project as a whole has been generously backed by the Prefettura dello Stato Vaticano and the Amministrazione del Patrimonio della Santa Sede (A.P.S.A.), in addition to the logistical and scientific support provided by the Vatican Museums. The facsimile is a result of a comprehensive photographic and three-dimensional recording campaign of the entire south wall, which has enabled a faithful reproduction of every detail of the frescoed surface and its architectural support. The combined use of custom-made instruments and manual finish has enabled the production of an artistic object of the highest quality and of greatest importance for the understanding of the original monument, as well as for its future conservation.
The results of the research on the Sala Bologna will be published in a volume entitled La Sala Bologna in Vaticano. Arte, cartografia e politica alla corte di Gregorio XIII, forthcoming from Marsilio Editori. Co-edited by Francesco Ceccarelli and Nadja Aksamija, the volume will include original contributions by the two editors, F. Farinelli, F. Fiorani, A. Lowe, M.T. Sambin De Norcen, R. Terra, and E. Urban, among others.
For more information on the project, Factum Arte's website has a description and photos of the scanning process, as well as the construction and installation of the facsimile. There are also two videos of the process. The work they do is incredible in both its scale and detail, and I think they are changing how we approach art conservation.
The facsimile installed in the new museum
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